Stand By Me, (1986), Rob Reiner.
Literatura, cine, televisión, música. Palabras. Capaces de hacernos reir. De hacernos llorar. De hacernos pensar. De emocionar. Palabras para guardar. Para recordar. Para leer. Y para volver a leer.
25.10.12
Lardass.
What the audience didn't know was that Lardass wasn't really interested
in winning. What he wanted was revenge, and right before he was
introduced he'd gotten ready for it.
Diving into his fifth pie, Lardass began to imagine that he wasn't
eating pies. He pretended he was eating cow-plops, and rat guts in
blueberry sauce.
Slowly, a sound started to build in Lardass' stomach. A strange and
scary sound, like a log truck coming at you at a hundred miles-an-hour.
Suddenly, Lardass opened his mouth, and before Bill Travis knew it, he was covered with five pies worth of used blueberries. The women
in the audience screamed. Bossman Bob Cormier took one look at Bill
Travis and barfed on Principal Wiggins, who barfed on the lumberjack
that was sitting next to him. Mayor Grundy barfed on his wife's tits.
But when the smell hit the crowd, that's when Lardass' plan really
started to work. Girlfriends barfed on boyfriends. Kids barfed on their
parents. A fat lady barfed in her purse. The Donnelley twins barfed on
each other, and the Women's Auxiliary barfed all over the Benevolent
Order of Antelopes. And Lardass just sat back and enjoyed what he'd
created-a complete and total barf-o-rama!
Stand By Me, (1986), Rob Reiner.
Stand By Me, (1986), Rob Reiner.
19.10.12
Unwavering.
On the page it looked nothing. The beginning simple, almost comic. Just a
pulse - bassoons and basset horns - like a rusty squeezebox. Then
suddenly - high above it - an oboe, a single note, hanging there
unwavering, till a clarinet took over and sweetened it into a phrase of
such delight! This was no composition by a performing monkey! This was a music I'd never heard. Filled with such longing, it had me trembling.
It seemed to me that I was hearing the very voice of God.
Amadeus (1984), Milos Forman.
Amadeus (1984), Milos Forman.
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